The Cunning Little Vixen
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This is perhaps the only opera to be inspired by a newspaper cartoon strip. Every morning, Janáček would catch up with the latest exploits of the mischievous vixen Bystrouška. He became such a dedicated follower of her adventures that he responded with an outpouring of music, rich in both humour and humanity, which evokes the wooded rolling hills of the composer’s homeland of Moravia.
Janáček’s vision immeasurably deepens the comic strip’s depiction of rural life. The Vixen encounters humans, of whom she learns to be extremely wary. She ignores the well-meant advice of a mournful dog and does exactly what you might expect when she is confronted by a bunch of hysterical chickens. She cheekily evicts a badger from his home and settles in herself. Eventually, she falls in love with a handsome fox and marries him.
All around her the life of the forest continues on its inevitable cycle. And the Gamekeeper, growing wiser as he grows older, sees it all.
Lucy Crowe will make her role debut as the Vixen, with Emma Bell in the role of the Fox. Leading the forces of the London Philharmonic Orchestra will be Music Director Vladimir Jurowski and, returning to Glyndebourne for the first time since her haunting production of Dvořák’s Rusalka, will be director Melly Still.
Rated four stars by the The Daily Telegraph.
Rated four stars by The Independent.
Rated four stars by the London Evening Standard.
Read a three-way interview with Melly Still, Emma Bell and Lucy Crowe in the Guardian.
Listen here to Melly Still, Sergei Leiferkus and Lucy Crowe appearing live on BBC3 In Tune to talk about The Cunning Little Vixen. (Starts around 1:29:30).
Read an interview with Lucy Crowe in The Daily Telegraph.
Read an interview with Melly Still in the Sunday Express.
A new production for the 2012 Festival
Sung in Czech with English supertitles
Revised version by Jiří Zahrádka by arrangement with Universal Edition A.G. Wien.
Listen to the The Cunning Little Vixen podcast (15 mins)
Presenter Peggy Reynolds explores some of the themes and stories behind Leoš Janáček's The Cunning Little Vixen. With Gavin Plumley, Julian Johnson and Melly Still, Director of the 2012 Glyndebourne production. (Producer: Mair Bosworth)
Download this podcast (right click and select 'Save file as')
Dates & Times - The Cunning Little Vixen
Glyndebourne
| Performance Date | Coach Departs | Performance Starts | Interval | Performance Finishes | Ticket Price Ranges | |
|---|---|---|---|---|---|---|
| Thursday 24 May 2012 | 4:00pm | 6:25pm | 7:20 - 8:40pm | 9:40pm | £45.00 - £205.00 | Book Now |
| Sunday 27 May 2012 | 3:00pm | 5:10pm | 6:05 - 7:25pm | 8:25pm | £145.00 - £205.00 | Book Now |
| Tuesday 29 May 2012 | 4:00pm | 6:25pm | 7:20 - 8:40pm | 9:40pm | £45.00 - £205.00 | Book Now |
| Thursday 31 May 2012 | 4:00pm | 6:25pm | 7:20 - 8:40pm | 9:40pm | £45.00 - £205.00 | Book Now |
| Sunday 3 June 2012 | 3:00pm | 5:10pm | 6:05 - 7:25pm | 8:25pm | £160.00 | Book Now |
| Thursday 7 June 2012 | 4:00pm | 6:25pm | 7:20 - 8:40pm | 9:40pm | £145.00 - £205.00 | Book Now |
| Sunday 10 June 2012 | 3:00pm | 5:10pm | 6:05 - 7:25pm | 8:25pm | ||
| Please telephone the Box Office on +44 (0)1273 813813 to check for returned tickets. | ||||||
| Wednesday 13 June 2012 | 4:00pm | 6:25pm | 7:20 - 8:40pm | 9:40pm | £145.00 - £205.00 | Book Now |
| Saturday 16 June 2012 | 4:00pm | 6:25pm | 7:20 - 8:40pm | 9:40pm | £175.00 - £215.00 | Book Now |
| Tuesday 19 June 2012 | 4:00pm | 6:25pm | 7:20 - 8:40pm | 9:40pm | £145.00 - £205.00 | Book Now |
| Friday 22 June 2012 | 4:00pm | 6:25pm | 7:20 - 8:40pm | 9:40pm | £110.00 - £205.00 | Book Now |
| Thursday 28 June 2012 | 4:00pm | 6:25pm | 7:20 - 8:40pm | 9:40pm | £145.00 - £205.00 | Book Now |
Glyndebourne Cinema Screenings
| Performance Date | Performance Starts | Interval | Performance Finishes | Ticket Price Ranges | |
|---|---|---|---|---|---|
| Sunday 10 June 2012 | 6:30pm | 7.20pm | 8:35pm | £20 (full price) / £15 (concessions) / £13 members (Picturehouse venues only, prices may vary otherwise) | Book Now |
The Cunning Little Vixen
Leoš Janáček
This performance can be seen live on: Sunday 10 June 2012 at 6:30pm (BST)
Glyndebourne and the Guardian are broadcasting six operas from the Glyndebourne Festival this summer.
We want to share our work with as many people as possible. Broadcasts have been part of the Glyndebourne story since the 1930s, and in 2007 we were the first opera house in the UK to screen performances into cinemas.
As well as The Cunning Little Vixen, four other productions are being screened in cinemas.
18:00 Friday 22 June Rossini La Cenerentola (Captured Live)
18:00 Sunday 22 July Purcell The Fairy Queen (Captured Live)
18:00 Friday 17 August Mozart Le nozze di Figaro LIVE
18:30 Sunday 19 August Two short operas by Ravel LIVE
Ticket prices:
£20 (full price) / £15 (concessions) / £13 members (Picturehouse venues only, prices may vary otherwise)
Click on the following website www.picturehouses.co.uk for more details of the season, or you can either telephone or visit your local cinema.
The Cunning Little Vixen can be seen live on: Sunday 10 June 2012 at 6:30pm (BST)
Glyndebourne and the Guardian are broadcasting six operas from the Glyndebourne Festival this summer.
Following a successful partnership with the Guardian last year, glyndebourne.com and guardian.co.uk will stream Leoš Janáček's The Cunning Little Vixen, Mozart's Le Nozze di Figaro and Ravel's double bill of L'Heure Espagnole and L'Enfant et les Sortilèges live from the Festival, held from 20 May until 26 August.
Two more operas from the season will be broadcast on both sites: The Fairy Queen by Purcell and Rossini's La Cenerentola. Each opera will available to view on demand after the initial broadcast.
Act 1
On a summer’s afternoon in the forest, Blue Dragonflies dance around the Badger’s sett. The Forester, made sleepy by the heat and his search for poachers, has a doze. Insects and small animals are at play. The young Vixen scares the Frog, who jumps onto the Forester’s nose. Waking, he grabs the Vixen and decides to take her home to amuse the children.
In the courtyard of the Forester’s lodge, his Dog sidles up to the Vixen with amorous intent, but he gets short shrift. Two boys torment her, so she bites them. The Forester is forced to tie her up. She falls asleep and dreams of herself as a young girl. At dawn, the Cock starts lording it over his hens. The Vixen urges them to free themselves of his domination. To lead them on, she plays dead. As they come to inspect her, she grabs the Cock and the hens and despatches them all. As the Forester tries to intervene she pushes him over and escapes.
Act 2
In the forest, the Vixen upbraids the Badger for occupying such a large sett alone. Wanting the sett for herself, she urinates on him and he stumps off, insulted. The Vixen claims her den.
At the village inn the Forester, Parson and Schoolmaster are chewing the fat. The Forester teases the Schoolmaster about an old girlfriend Terynka; he fires back about the Forester’s failure to subdue the Vixen. Goaded further, the Schoolmaster goes home, soon followed by the others.
Walking tipsily through the nocturnal forest, the Schoolmaster mistakes the Vixen hiding behind a large sunflower for his beloved, Terynka. The Parson muses on the girl who betrayed him long ago. The Forester in pursuit of the Vixen, fires at her and the others run away.
Moonlight in the forest. The Vixen encounters a handsome Fox and is smitten; he is equally impressed. He woos her with a dead rabbit. They declare their love. They disappear into her den to consummate their union. When they come out, they decide to get married. The forest creatures celebrate their wedding.
Act 3
In the forest the Forester confronts the poacher Harašta, who boasts that he is going to marry Terynka. The Forester decides to set a trap for the Vixen. Both leave.
The little foxes come out to play. Their mother discovers the trap and decides to taunt whoever is responsible. Seeing Harašta she lies in his path. He puts his basket of chickens down, picks up his gun and gives chase but falls flat on his face. The foxes raid his basket. Nursing a broken nose, Harašta fires aimlessly and kills the Vixen.
Back at the inn, the Forester tells the Schoolmaster he has found the Vixen’s den deserted. The latter learns that Terynka is getting married that day, wearing a new muff made from fox-skin. They talk about the Parson, who has left for a new village where he’s lonely. The Forester pays his bill and sets off for home.
In the forest he remembers his ardent youth. Feeling tired, he admires the natural beauty around him and lies down to sleep. He dreams of the forest animals, and looks around for the Vixen.
Stretching out his hand towards her, he finds he has picked up the Frog. But it isn’t the same frog, says the amphibian -- that was his grandfather, who used to talk about the Forester. The Forester lets his gun fall.
George Hall
Creative team
Conductor Vladimir Jurowski
Director Melly Still
Set Designer Tom Pye
Costume Designer Dinah Collin
Lighting designer Paule Constable
Choreographer Maxine Doyle
Cast
Forester Sergei Leiferkus
Vixen (Bystrouška) Lucy Crowe
Fox Emma Bell
Parson / Badger Mischa Schelomianski
Harašta, a poacher William Dazeley
Forester's Wife / Owl Jean Rigby
Schoolmaster/Mosquito Adrian Thompson
Pásek, Innkeeper Colin Judson
Innkeeper’s Wife Sarah Pring
Audio extracts courtesy of Chandos
This recording is available to buy on CD from the Glyndebourne Shop
Related pages
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Recordings - Festival 2012£15.00
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Comments
I found the production visually stunning. As in the previous comment, I am still not sure what a couple of the woodland creatures were, but the chickens were wonderful. The music was 'different' (I have not heard any Janacek before), and it was not to my husbands taste. I, however enjoyed it very much.
Wonderfully inventive production. A feast for the senses.
Beautiful singing.
Some great music, but not all of it quite up to par. Janacek might especially have reconsidered the last fifteen minutes ...
a feast for the eyes
Wow wonderfully start to the season. The music and sets created a magical tapestry - the costumes of the animals were so creative and just perfectly right summing up the likeness of each character in an imaginative and simple way. The centre stage tree is a masterpiece that captures the style of right now appearing to be made of recycled or is it up cycled wood. Beautifully to listen too and enchanting to watch. This really is a new masterpiece of entertainment although not a lot of convential singing the sounds were evocative and the music took centre stage as it should. I was told I would find this janacek difficult not true it was completely delicious. Grab a ticket if you can - although there's the cliched on stage sex regular visitors have come to expect, the rest of the production rises above this moment of grotesque to be an utter musical triumph. We loved it well done to each and every person involved visionary . X
Lucy Crowe shines out amongst the menagerie of cavorting animals in a stunning first night performance in rural Glyndebourne.Brilliant.
We thoroughly enjoyed TCLV... it is "different" and "a bit earthy" (not just the fox holes). Orchestra, singing and sets are all brilliant.
If it comes into a future year's schedule, we will want to see it again.
I rarely buy top price opera tickets but as I liked this director's Rusalka so much I splashed out on a ticket dead centre of the foyer circle so got an unimpeded view. I was glad I did. This is a lovely production and I am sure Janacek would have been delighted. A few folk commented, and I agreed, that it was sometimes a little hard to work out what woodland animals were being represented on first viewing but that is a minor cavil. The Ukrainian conductor commented in last weekend's study day that Ukraine is close to Moravia and this opera is one he has been longing to do. I think that showed. Nuff said.
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